In life all of us have to wrestle with love, family, and our purpose in life.  When on the right path one finds everything moves smoothly and when not one finds difficulty.  I’m really enjoying the third season of Chuck and their representation of those real struggles.

By using the intersect and chuck’s ability to access it as a symbol of chuck’s spiritual compass we get to clearly see when his life is out of balance.  Like in life, when one gets so out of balance, there comes a time when a spiritual adviser comes along to put one back on the path.  For Chuck this was the Tao of Morgan.

Chuck Verses the False Choice

Chuck’s purpose in life is facing a false choice between the old Chuck verses spy Chuck.  Unfortunately by working within the confines of labels he is unable to see how both choices are wrong.  Old Chuck denies how he is very capable and spy Chuck denies his emotions which is his source of strength.  He has to find the real Chuck.

To protect Chuck’s family he made a false choice to keep them at a distance.  This false choice is causing great problems in Chuck’s life because it is his family that grounds him.  To protect them he need’s them close and to keep a distance between himself and his spy life.

In love Chuck made a false choice by believing Sarah is not an option.  This false choice is preventing him from finding out what kind of romantic relationship really exists between them.  He is left with unresolved emotions that also prevents any future choices.  Thus the relationship with Hanna is not able to move forward because Chuck has not resolved his position with Sarah.

With all of those false choices Chuck is left lost and out of balance.  This manifests it’s self by his inability to access the intersect.  Then enters his spiritual advisor to put him back on the path.

Tao of Morgan

Chuck reveals his spy identity to Morgan.  One might expect two years of lying to hurt the friendship but not in Morgan’s case because he understands the way.  I love how out of all the people in Chuck’s life Morgan is his spiritual guide.

The Tao of Morgan:  Follow your bliss and be true to yourself.  This is the real secret to our purpose in life and it is a path not a destination.

The Real Chuck

The real Chuck is a very capable person who cares to do the good and protect innocent people from harm.  He draws his strength from his emotions which is directly tied to his desire to do good and protect innocent people from harm.  This is why Chuck’s emotions play such a vital role.

He gets back on the path of following his bliss and being true to himself after putting Morgan back into his life.

The Struggle Continues

Now we must see how chuck resolves his false choices that lead him off the path in the first place.  I don’t see him finding his true self right away since it is his peers that keep perpetuating the false choice between being a spy or being his old self.  Sarah sees the real Chuck but is unable to clearly tell him because of the unresolved feelings between them.

Will Chuck find his true self?

What kind of relationship do you see Chuck and Sarah having by the end of season three?

Buy it from or Amazon:The Complete First Season, The Complete Second Season

More Chuck on dashPunk

Watch it streaming online:

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After Avatar premiered on the big screen I noticed it having a strange effect in some of those around me.  Then the headlines pointing out how there was a rise in depression from some who watched the movie.  This cause was pinned on the movie being “a little too real” CNN with that being followed up by pinning it on the intense visuals.

This left me curious, there is a real effect being caused but the explanation of visuals for the cause did not make sense.  After watching Avatar Eric and I talked about the experience and the feelings left behind and he pointed out the cause.

The Cause

Experiencing Avatar gives one a religious experience stimulating metaphysical urges.  If lacking in one’s life this will leave a longing, drawing attention to the emptiness that already exists in their life.  Due to our secular society this whole event is felt but probably not realized on a conscious level.

It’s Human nature

It’s human nature to feel the need for a connection.  This need is what drives us as a species to be social creatures.  This is not only one sought between each other but also between our environment around us and to a greater universe.

This is the deeper purpose that mythology and religion serve as they help us to get connected to one another, our environment and the greater universe.

Without it one is left with a restless longing.  This longing can be ignored or temporally filled but it still persists if those connections are not made.  Our secular society has become quite adept at even distracting ourselves so much that the longing is numbed.

How Avatar stimulates it

Avatar does something amazing by giving the viewer an experience of a beautiful setting in which the characters have a deep connection to each other, the environment around them and to a greater universe giving immediate validation of that connection.

This starts with the viewer being able to relate to Jake who through a dreaming state gets a direct neural transmitted connection to a Na’vi.  Through the Na’vi we are connected to the rest of the world around.

A Na’vi does not just climb on a mount and ride around or fly around on it.  They make a neural connection to the mount, a bond that is very deep and reciprocal.  It is a connection that has immediate reward and shown true through the creatures response.

They connect with those that came before them through the Tree of Voices.  This connects the Na’vi to their ancestors and validates this afterlife with immediate feedback.  Connecting to the Tree of Voices they can hear the voices of their ancestors.

The connection to a greater universe is shown through Eywa and the Tree of Souls.  Through this experience we see the validation of a person’s soul and it’s ability to transfer from one back into nature and even it’s ability to reincarnate transferring from one body to a new one.

The validation goes so far that even Eywa validates the prayers of the people.

The result

While experiencing the movie we also experience the deep connection and the validation of that experience.  Once the movie ends so does the experience.  The audience member returns to their life and if they have a longing it is made apparent and thus the feelings of depression and a strong desire to return to the Na’vi.

The sad thing is because we live in such a secular society many will not realize on a conscious level those metaphysical urges were stimulated.  Then the distractions set in and attempts to ignore the feelings.  Pushing the longing back down into the unconsciousness and Missing the opportunity to take edifying action.

Exploring Avatar’s Religious Elements

Eywa

Eywa is the great spirit of Pandora revered by the Na’vi and represented through the interconnectedness amongst all of the flora, fauna and indigenous peoples.  The Eywa is most represented through the Tree of Souls, Tree of Voices and the Atokirina which are little floating airborne jellyfish like creatures.

Emissaries of Eywa

The Atokirina’ are seeds from the Tree of souls that float around on the air of Pandora.  They are viewed and revered by the Na’vi as spirits sent from Eywa.  Their presence is viewed as a sign to the people to help them and guide them.

Tree of Voices

The Utral Aymokriyä is a tree kind of like a weeping willow but the branches hanging down are full of neural connections.  These trees are viewed as a sacred space.  The Na’vi can connect to the branches and hear the voices of their ancestors, kind of like a prayer space.  They also partake of the more sacred rights under the branches of the tree like marriage rights.

Tree of Souls

The Ayvitrayä Ramunong is a tree similar in appearance to the Tree of Voices except it has a massive root structure that is close to the surface.  The Tree of Souls can make neural connections to the Na’vi and other creatures around it by sending out many small tendrils.  Through that connection one can get a direct experience of Eywa.  They can even transfer souls from one body through Eywa and back into another body.

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Breakthrough pill to help people live to 100

The pill is based on immitating [sic] the effects of three super-genes that make people 20 times more likely to live to be 100 and 80 percent less likely to develop Alzheimer’s or other similar diseases. The new pill is expected to be ready for testing within three years.

This would be awesome!  Not only give a nice extension on ones lifespan but to reduce the chances of Alzheimer’s or other similar diseases.

Sounds too good to be true?

Possibly, The quest for the philosopher’s stone goes back for millennium and shows up in speculative fiction in many forms.  My first reaction to this is to sigh and think ‘ah, another snake oil salesman.’  What is fun with this pill concept is that they gave it some credibility by tying it to the longevity effects of genes.

There is ongoing research into human longevity.  Most of the successful results are tied to tweaking the subjects (mostly worms) genes.  A while back I watched a fascinating news piece on the longevity research and it’s results.  They were successful in extending even doubling the life span but there was a catch.  It doubled all of the lifespan which means twice as long as an infant, puberty twice as long, and the declining years taking twice as long.  Would this extension and payoff for the extension of life really be any increase in the quality of life?

The ethical questions raised were fascinating.  If one could live longer what quality of life would they get for it?

Would you be willing to take a pill to extend your life to 100 years?  Would you still be willing to take a pill if it had to be taken on a regular basis?

(via Unexplained Mysteries)

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Agricultural and Religious Geek mashup that will leave you in awe.  These pear trees are taught by a Chinese farmer to grow Buddha shaped pears!

They look so cool.  Part of me was a little uncomfortable with the thought of eating them but then I remembered that all life is impermanent and reveled in these little meditation fruits.

I wonder if just walking through the grove would help to steer one’s mind toward an enlightened direction.

They cost about $7.32 each which is not much considering that they grew in that shape.

(via Geekologie)

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A tribute to those writers out there when their minds and words fail them:

… perfect poster for my day so far!  I used to live a life of no regrets and I think it is time to return to that reality.

Rules for a no regret life **warning it is brutality honest**

• No regrets.. not allowed… not accepted
• Think twice, act once
• If you are going to do something mean it or don’t do it.
• If you mess up something either demonstrate your sincerity and fix it or be honest about not caring and move on.
• Regrets waste life (time + effort + joy+ purpose=life)

How does this poster motivate you?

(Thanks Brian Chang via FriendFeed)

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I feel alone lately as a fan of Speculative Fiction.  Many of the people I talk to have never heard of it, and others have had a hard time wrapping their head around the concept, so I have decided to talk about the lost art of speculative fiction.

Art of the Imagination

Speculative Fiction (SF) is the art of the imagination.  Any story, video, image, or song that answers the question, “What if?” is SF.   There are five main subgenres of SF:

• Science Fiction
• Scifi
• Fantasy
• Horror
• Alternative History

I meet a lot of people who lack an imagination.  Most are not fans of SF, but what frightens me more than anything is the number of writers/would-be writers who don’t have an imagination.

Many people believe that SF is easy to write, when nothing could be father from reality.  Great SF requires more imagination and work than any other genre of fiction.  Not only does the writer have to create a good story, but they also have to construct a new world that is internally consistent and filled with an immaculate reality that will engage the reader/viewer/listener in the setting and story.

The problem with the industry is that too many writers with little to no imagination have found employment making SF because their work is commercially viable to the mass market and lacks any of the qualities great or even good works should have.  They too often forget the one thing that SF should do:

Transcend Limits

The last time SF was popular in the mass market, a spirit of activism, adventure, and dream pervaded the works.  Not all of them, but enough for the the majority of SF fans to be satisfied with many of the films and series launched.  Since then, post-modern fiction styles have dominated print, television and movies, as a result the recent SF works have lacked any depth.

Pioneering SF writers/creators like Frank Herbert, Gene Roddenberry, Harlan Ellison, David Gerrold, et al, believed that SF could challenge peoples preconceptions and inspire them to transcend the limits imposed upon them by their upbringing and culture. They wrote and produced SF that attacked our sacred cows, presenting the world as it could/should be with all of the ambiguity and possibility that this world offers us.

This is the SF I love, produce and support. The trite cynicism that has again become en vogue is antithetical to this spirit of transformative fiction that inspired so many to fall in love with science and hope for a better world. It does not have to go this way. We must reclaim the spirit and art that made SF great.

The Search for Meaning

The root of the problem is simple:

• We hope for a meaning and purpose for our lives and when we find that nature does not provide us with an easy answer we can slavishly follow after, we assume life is devoid of meaning and purpose all together. Nihilism is an easy trap to fall into, but is also an easy one to escape.

Sure, life has no grand overriding purpose… or does it? Life seems to exist to survive, thrive, and evolve. With the exception of evolution, these are not very inspiring goals, but the urge to better ourselves and grow throughout our life is a fundamental function, if not purpose of existence.

This is no reason to despair. The fact that life does not impose a purpose on us allows us to find or invent one for ourselves. What a liberating gift from the universe! We are free to choose our purpose and to find meaning for ourselves.

Now, I won’t lie to you. This is a burden to bare, there is no doubt about that, but it is a burden that is easy for us to take up, if we choose to live boldly.

For too long, we have lived our lives under the constraints and limitations placed upon us by society. We have to rise above the nihilistic stupor, and make the world we want to live in.

Let’s All Dream Again

We have to rise up, stand up, speak out, and most of all dream. If we do not, then the future is indeed lost, but not because of destiny, but because we have let it follow that path.

Dream again, and dream big. Find something to be for, not something to be against. We are strong and imaginative enough to rise above any darkness that comes upon us. Rise up! Let’s take our future back!

This post was inspired by The Lost Art of Speculative Fiction, which I originally posted on March 14, 2008.

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To mark the 10 year anniversary of the Project: Shadow Manifesto, we thought it was time to overhaul it again, but this time to open up the project to all of the like-minded fans out there who are tired of the status quo, and who are hungry for something new.

Brian and I drafted the original Project: Shadow Manifesto in 1999 as an outline we saw in professional publishing.  The original draft was heavy on problems, light on vision, and even lighter on solutions.  We took years investigating the limited options available at the time, built the original Project: Shadow, and I started writing.

In 2004, we revised the manifesto, and re-launched Project: Shadow.  The new draft focused on the solutions possible through new technologies.  The world/culture presented us with newer challenges.

We are fans.

We love our music, stories, characters, and settings.
We know about what we love.
We participate in what we love.
We support what we love.
What we love supports us.

At heart, a fan is not someone who enjoys a movie, a song, a band, a book, or a show.  A fan feels an intense connection with the object of their love.  Fans decorate their homes, offices, and desktops with items that announce their allegiance with their favorite bands, movies, shows, and books.

The problem with our popular culture is that it doesn’t blink at a sports fan wearing a t-shirt emblazoned with their favorite team, or even a replica jersey, but wear a Star Wars shirt or dress like a goth and they think they have the right to mock you.

What is the difference between a fan wearing a jersey to a game or fan bringing a light saber to a movie?  Or for that matter, what is the difference between a sports fan painting themselves up to go tailgating or a fan dressing as their favorite character at a convention?

Perception.  Pop Culture has classified sports fans as acceptable and speculative fiction fans as geeky.  I have to say, it is just as geeky to now all of the stats for everyone who has ever played for a particular sports franchise as it is to know the stats for every creature in the Monster Manual.  The only real difference is one fan accepts they are a geek, and the other pretends their geekiness is proof they are a jock.

The disapproval is the least of the problems facing today’s fan.

From Storytellers to Copyright

Problem: People are natural storytellers.  We hear a story, embellish it, and pass it on.

Solution: We tell each other stories, sing songs, write books, make videos, and create art to share these stories with each other.

Every story we tell is not original.  We like to tell the same stories over and over.  We borrow stories from any where and retell them in our own vernacular.  It is intrinsic to who and what we are to share stories with each other.

Problem: The only constant in the world is change.

Solution: We ask ourselves the question, “What if,” and share the answer with each other.

Problem: Artists and Writers need to make a living singing their songs, writing their books, making their videos, and creating their art.

Solution: We establish systems of Copyright.

The Cultural Cycle

Before the era of Copyright, stories, heroes, melodies, and lyrics belonged to the people.  Stories were told, and retold.  Numerous visions of each story competed against each other.  The best were remembered, collected, retold, embellished, and built upon.  The rest were forgotten.

Who told the first story about Hercules? Or Jason? or Troy?  Who started the legends of King Arthur? or Beowulf?  The first tales and their countless reiterations have been lost, but the best, most iconic stories survived.

Of all of Shakespeare’s plays, only a few comedies have no obvious sources, and even they rely upon well established patterns and archetypes.

This is the Cultural Cycle that keeps important stories alive.  Each generation must retell the tales of the preceding generations in their own context to keep them relevant.  This cycle has been broken.

• Problem: Companies lobby to prevent Intellectual Property from reentering the commons of the culture.
• Problem: Companies control the instruments of culture, making it harder to engage culture creatively.
• Solution: Fans retell these stories as not for profit tales, films, and  songs.
• Solution: Fans organize themselves into clubs and conventions.

These solutions are are not enough.  Fanfiction and film relies on the good will of the copyright holders and the fact that the fans do not make money from their works to slip through the thinnest of loop hole in copyright.  As a result, pop culture is unaware of the cultural developments and retelling of these new stories.  The subculture may be enriched by them, but the culture as a whole is not.

The Creative Commons and the Cult of the Dollar

Problem: Publishers and producers focus more on the commercial and popular value of a work, and the creative energy of the work suffers.  Readers/viewers will not become fans, and fans will not continue to accept passionless works of Speculative Fiction.

Solution: Placing honesty over consumerism, we fans must stake out our own home to create and share the works we love.  We must stand between the darkness and the light:  This is the purpose of Project: Shadow.

Problem: The Companies and Rights holders lashed out against the fair use of their properties.

Problem: Some Rights Holders have lulled fandom into a false sense of security by not suing and even encouraging those who produce fanworks

Creative Commons is one of many proposed solutions to this problem.  Others have lobbied for copyright reform.  Neither of these is a solution to the problems.

Copyright reform is a doomed enterprise while corporate lobbyists have the power they do over the congress.  While it is a goal to work for, it is just not realistic in the short term.

Creative Commons is closer to a solution, but the adoption rate has not been sufficient to even start chipping away at the problem.

The reason Creative Commons is an uphill battle is that it is a major evolution in the way rights holders handle permissions to use their work, and exists without an intermediary form.  Existing rights holders have not adopted it because they are unwilling to give up all the rights entailed under Creative Commons.

I approached the Creative Commons Foundation with a proposal for a Fan Works License:

Some of the rights holders I have talked to are reluctant to use the CC because they are concerned they are giving up too many rights to their works.  A Fan Works License would allow rights holders to clearly state what they will allow others to do with their characters, content, and settings.

It would be a bit more complicated than a standard CC, stating whether others may make original text, video, music, or art projects based on their works.  It would also allow them to set the content rating they would allow fan works to have.  This could be aligned with the MPAA ratings or the ESRB ratings system or an original system.  The reason for this is so a young adult novelist could set a max rating of PG-13, allowing others to know what standards they would apply to determine whether a fan work is legitimate or not.

The other terms would be the same as in the standard CC.

You may not think something like this is necessary, but the current state of fan works is hazy.  While few have been sued in the last couple years, at any time, rights holders could decide to start suing again.  By creating a license that covers works with the same characters and settings rather than a particular book or movie, I believe we could get more rights holders to use the license to allow for the creation of fan works, which is a step on the road to open up works to the commons.

They responded with a simple, “CC probably isn’t going to be expanding the license offerings, and in fact, over the past few years CC has been reducing the number of licenses.”

I do not believe that a fanwork or Creative Commons license is the ultimate solution, but as a possible stepping stone toward an open culture.

Progressive Speculative Fiction

• Problem: Modern and Post-modern fiction is antithetical to hope, imagination, and community
• Problem: Success is easier through snark, hate, and discrimination.
• Solution: We will promote, support and create Progressive Speculative Fiction.

What is Progressive Speculative Fiction?

Progressive Speculative Fiction is a story told in any medium which has a “What if” at its core and is filled with hope for the future and promotes a sense of community.

How can disaster fiction be progressive?

Watch a Godzilla movie or either The Day the Earth Stood Stills.  If there is nothing worth saving, then there is no tragedy.  The heroes must at least try to save someone or something worth saving.

How can horror be progressive?

Watch nearly any horror film made prior to 1990 or for the best example read The Hellbound Heart by Clive Barker or anything by Anne Rice.  If life is not worth living or there is nothing worth defending, where is the horror.  If life is worthless, then death is merely a release from a nightmare.  There is nothing scary about it.  If there is no free will, nothing is lost by imprisonment or possession.  If sanity is not worth preserving, why bother.

What works are Progressive Speculative Fiction?

There are too many to mention all of them, but to offer a spectrum:

• The Matrix/ The Matrix Reloaded/ The Matrix Revolutions/ The Animatrix
• The Dark Knight
  
• Final Fantasy – The Spirits Within
  
• The Lord of the Rings
• Dune
  
• Interview with the Vampire, The Vampire Lestat, The Queen of the Damned, and The Tale of the body Thief
• Godzilla

Just to name a few.

Mythos

• Problem: The word “Myth” has become a marketing term.

Homogenized works are released more often by the industry every year.  Focus groups and market analysis have replaced quality work, but since the cultural cycle is broken, industry has no alternative.  It is safer to release works like the ones that sold last year than it is to seek out new talent/ideas that would be more of a risk.

They know what the fans want.  We want myths, stories that speak to us on a deep level while entertaining us.  Myths are hard to make.  It is easy to add in a wizard or a starship and call it mythology.  Fans see through it, but the masses are looking for little more than sex, violence, and humor.  Speculative Fiction has been watered down to little more than:

• imitation space opera
• knock-off cyberpunk
• repackaging of the rings
• martial arts boom-boom
• torture porn

They, then, wrap it in a shiny box, slap the word myth, saga, legend, or reboot on it, and wait for the masses to spend their money on it… and they usually do.

We do not need another company driven by profit margins, or another author whose self-important propaganda obscures the art.

We need writers and artists that love what they are doing.

We need fans who are not afraid to speak their minds.

We need places in our towns/cities and online where we can meet and share the few gems that we find from the industry and from the independent artist, writers, and filmmakers who are still following their bliss rather than the dollar.

That is why we are here.  Project:  Shadow and dashPunk will provide a platform for writers, artists, filmmakers and fans to “follow their bliss.”  We are dedicated to finding and promoting the best Speculative Fiction out there: the little/well known writers, filmmakers, artists and works, fostering their talents, and helping them to not only follow their hearts, but to share that vision with others.

But we cannot do it alone!

Fandom Strikes Back

• Solution:  We must seek out and support the writers, artists, and producers that encourage and support fan works.
• Solution:  We must get writers, artists, and producers on the record about their position regarding fan works.
• Solution: We must live according to our values of hope, imagination, and community.
• Solution: We must build a community around hope, imagination, and community, and reject the rote cynicism that defines the faux-fandom that loves to tear things down rather than build things up.
• Solution: We must spread the stories, videos, songs, and art that speak to us.

Together, We can make dashPunk and Project: Shadow more than an idea or a website, but a vibrant community of fans who share the things we love with each other.

Together, we can make it easier to find and share the things we love and find new things to love.

Together, we can build a community of fans who support and engage one another for our mutual benefit.

Alone, none of us can stand up to the corporate powers who control the music, video, text, and art that we love, but together, our voice will be heard.

Fandom is a vibrant culture with its own music (filk), events (conventions), games, and myths.  Until now, we have gathered periodically, or in disparate groups. 

Now is the time to bring the great multitude of fan bases together.

Now is your time!  Copy this Manifesto.  Print it, post it, email it, share it!  Tell a friend, and most importantly Make your voice heard.

Download

• Project: Shadow Manifesto (PDF) (62.12 KB)
• Project: Shadow Manifesto (DOC) (47.5 KB)
• Project: Shadow Manifesto (RTF) (22.32 KB)
• Project: Shadow Manifesto (TXT) (13.1 KB)

Project: Shadow Manifesto by Project: Shadow is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 3.0 United States License.
Based on a work at dashpunk.com.
Permissions beyond the scope of this license may be available at http://dashpunk.com/about/.

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Before we can make any in depth study of Mythology, we have to understand what we are dealing with.

First, it must be understood that mythology is more than just the tales we have inherited from Homer, or the brilliant Sagas of the Norsemen.  It is even something more than “other people’s religion,” as Joseph Campbell used to jokingly say.

“A whole mythology is an organization of symbolic images and narratives, metaphorical of the possibilities of human experience and the fulfillment of a given culture at a given time (Joseph Campbell, Thou Art That, pp1-2).”

Myths are found in literature as well as in religion.  They speak to somewhere deep in our unconscious mind, and if we are lucky, they will instinctively guide our development.  Even though many of these myths change us through a process not unlike osmosis, it is important for us to learn how to recognize a myth, so we can choose whether or not we want to assimilate it into our lives.

Now I do not have the time or space in this essay to detail everything that needs to be said on the subject.  That is the purpose of the Foundation section of the website.  For now, I will focus on what I see that the most important aspect of mythology: how it functions in our individual and collective lives.

Where do Myths Come From?

“First of all you must understand this, that no prophecy of scripture is a matter of one’s own interpretation, because no prophecy ever came by human will, but men and women moved by the Holy Spirit spoke from God (2 Peter 1:20-21, NRSV).”

This is perhaps the most misunderstood passage from the western tradition.  Many have used it to try to show the superiority of their particular theology over their rivals.  Others have disregarded it altogether, but it does answer the question of where myths come from.

Let’s take a look at Joseph Campbell’s explanation of the origin of myth, and pay close attention to how these two answers overlap:

“Mythology is composed by poets out of their insights and realizations.  Mythologies are not invented; they are found.  You can no more tell us what your dream is going to be tonight than we can invent a myth.  Myths come from the mystical region of essential experience (Joseph Campbell, Myths of Light, p xix).”

No one can invent a myth, but I would also contend that there is nothing spooky going on here either.  What is the difference between a myth and a good story?  The myth speaks to something deep down within our souls.  They tell us that their is more to the story than we caught at first glance.  Great stories don’t.

This is not because some spook is whispering arcane secrets into the poet’s ear, it is (more often than not) because the story took on a life of its own and carried the poet along with it.  It is only when the unconscious mind is active in the creative process that a myth can be born.  We all carry these forms within us.  It is for the artist to step aside long enough to let them show through.

A good example of this is George Lucas.  He set out to write a new myth, but found that it would not cooperate with him.  He had writer’s block.  Eventually, he put aside everything that he wanted to write about, and just wrote.  Star Wars is undoubtedly a triumph of the muse over the artist.

Once a myth is found by the poet, and they share it with society, it will take on a life of its own.  All myths operate in society in four ways.  In this, they help to shape culture, and are in turn shaped by it.

Mystical Function

“The first must be to open the mind of everybody in the society to that mystery dimension that cannot be analyzed, cannot be talked about but can only be experienced as out there and in here at once (Joseph Campbell, Myths of Light, p 5).”

This is where most western religions break down, and it is the aspect of modern myth that is most often overlooked.  The Mystical Function of a myth is to help the participant to realize that the outer forms that are portrayed are emblematic of the forces at work within the psyche.

Out there is really in here.  This is the first secret.  In the Matrix Trilogy, the mythic dimensions open to us when we see that the Matrix itself is symbolic of our mind, but the flood gates open when we can see that Zion is as well.  All of these outer images speak of internal conflict.  We all have our own Agents in our heads trying to fight against us.

Why do these aspects of our psyche come into view through these stories?  Because they are beyond naming, beyond analysis.  I will view the agent in completely different terms than you will, since he takes on aspects of our own inner struggle.  If I used something other than this mythic image, I could only explain my own inner demons, and you may or may not be able to relate.  Once it is concretized, it can only speak to my condition.  As a symbol it can speak to our condition.

The Architect and the Oracle are the best examples of what I’m talking about.  Many people I’ve talked to have compared them to God and the Devil, but few agreed on which was which.  Even when they did, they couldn’t agree to why.

We can also see these images as symbolic of the collective psyche of our culture or world.  As you can see, they still reveal the hidden indefinable aspects of our culture in terms that are useful to our minds, while leaving them open to interpretation.

That is the first function of myth: It speaks to the individual and the culture simultaneously, and helps them to see what is going on within them.

Cosmological Function

“The second function of a mythology is to present an image of the universe that connects the transcendent to the world of everyday experience (Joseph Campbell, Myths of Light, p 5).”

I really don’t want to get into the issue of whether or not there is a god, that is a topic for another set of articles.  What I am talking about now is simply “The Transcendent.”  Whatever that might mean to you: God, energy, higher dimensions, or the driving force of history itself.  There is something that transcends our ordinary experience.  Maybe it is something as simple as love, or cosmic order; but the question is, how does that relate to me?

In Babylon 5,  the question is approached from many angles.  Basically, a scientific answer is elevated to a level of cosmological significance: we are the universe trying to understand itself.  Here, the universe, the very unadorned ground of being is presented to us as the transcendent mystery, and we are fragments of that universe trying to comprehend itself in the only way it can: from the inside.

If this presentation of the mystery has any resonance within us, it provides a metaphor to understand our relationship to the transcendent.  Now, we have a window into our own everyday lives that we can use to understand why we are here, and what is the purpose of everything.

Sociological Function

“The third function is to present a social order by which people will be coordinated to the mystery (Joseph Campbell, Myths of Light, p 5).”

This is perhaps the most dangerous and controversial aspect of mythology.  The social order depicted is always tied directly to the same era as that the myth was composed in.  Very few myths are truly timeless.  Most are filled with archaic views that must be refuted for the myth to have any relevance in the modern world.  We do this all the time, often without even noticing.

Should we blindly accept these outdated concepts, we become a danger to ourselves and to civilization itself.  The news is full of examples of what I’m talking about.  We only have to look at the pro-lifer who shoots a doctor to “save lives,” or the events of 9/11.

That is why it is important to regularly question everything, even our most basic assumptions and beliefs.  It is not enough to just question, we have to be prepared to give up any belief we find to be false.

The Sociological Function of mythology does have a positive side.  It builds communities and fills them with a sense of common purpose.  The American Dream is one such myth.

Star Trek is a great example of this.  After being on television for only three years, it spawned a large community that grew, and even thrived in absence of any real input from those who created it.  Star Trek embodied the ideals of honor, courage, and IDIC.  IDIC is a concept indigenous to the Star Trek Universe: Infinite Diversity in Infinite Combination.  The diehard fans of the series have taken these ideals to heart and actually try to live by them.  For all of the scorn heaped on the phenomenon, I think a lot of good has come out of it.  What better ideals for people to base their lives on?

This new social order arose from the myth of its own accord, and led many people to a better understanding of their place in the universe.

Vital Function

“Finally the fourth function of the mythology is to carry the individual through the course of life (Joseph Campbell, Myths of Light, p 5).”

From birth to adulthood to marriage to children to death, myths provide a pattern to help people understand their lives and give meaning to them.

For me the music of the band Queensryche has served this function quite well.  Not alone, I do have other influences, but they have developed with me.  From their albums Rage for Order and Operation: Mindcrime that helped me in my confused teen years, to Empire that opened my eyes to the real world around me, their music has been a companion sharing insight with me when I needed it most.  When I went out on my own and found out just how evil the world can be, Promise Land came out and helped me to realize that I was not alone, and their was a better future to work for.  Ever since 9/11, I had found myself in a haze.  Nothing seemed to make sense anymore.  Then came Tribe.  They gave words to my pain, a cure to my nightmares, and renewed hope for the future.

In every stage of my life so far, they have told a tale to illuminate the way.  That is the Fourth Function of myth.

Unconventional Myths

I have used many different mythologies to explain the four functions of myth.  I could have used just one for all of them, but I wanted to illustrate a point.  We don’t have to choose one mythology to the exclusion of everything else.  Each of these myths have something different to say, and each one speaks to the soul in a different way.  Together with many others, they have helped me to be the best me I can be, and that is what all myths are meant to be.

Some people may object to me calling some of these myth:  “They are just entertainment.  Aren’t you taking them too seriously?”

The answer is no.  Myths are discovered, not made (remember?).  Science Fiction, Fantasy, horror, and non-classical music are usually relegated to a second class status to more “realistic” genres.  They are no less capable of delivering insight than Joyce or Hemmingway.  Much ink has been spilled on them, it is time to open the closet and let the other genres out to have their moment in the sun.

Footnotes

The scripture quotations contained herein are from the New Revised Standard Version Bible, Copyright 1989 by the Division of Christian Education of the National Council of the Churches of Christ in the U.S.A., and are used by permission. All rights reserved.

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The air of mystery and the art of the dark romance have left the world. The grotesque has replaced horror, and the beauty of supernatural horror is rarely seen any more. Gone are the old masters, and few if any have risen up to walk in the footsteps of giants.

Watching the haunting beauty of Cecil B. DeMille’s Seven Deadly Sins set to the music of Christian Death reminds me of what could be. The simplicity of these images, made in the days before computer generated effects makes me wonder what could be made now with the ubiquitous camcorders and digital video.

It only takes a bit of imagination to use the simple tools that surround us to make great art… but who is striving to make a film that that captures the power of the image to transport us away into world that are beyond belief? Who is making movies that do more than just entertain or self-aggrandize?

Anyone can make a movie these days, and a lot of people are. YouTube is flooded with them, but like everything in our world these days, they are made for the moment and not to outlast their initial viewing.

I don’t believe that just anyone can create a classic. It takes talent and genius. I do believe that another classic will never be made unless the creators take upon themselves the task of making something that will outlive them. Unless we strive for excellence, we will never achieve it.

Our culture celebrated mediocrity. It is important to make sure that everyone feels important and significant, because every life is precious, but it is vital that recognize and promote genius and talent when we see it. We each need to strive for excellence in everything that we do. Then and only then will we each come truly alive, and share that life with the world.

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I have been following the trend toward free books for a while, and I have gotten used to seeing the regular suspects talking about the loss of book sales and the rise of new ways to earn a living on your words. Imagine my surprise when I saw Paul Krugman add his voice to the chorus:

According to a report in The Times, the buzz at this year’s BookExpo America was all about electronic books. … we may finally have reached the point at which e-books are about to become a widely used alternative to paper and ink.

That’s certainly my impression after a couple of months’ experience with the device feeding the buzz, the Amazon Kindle. …

It’s a good enough package that my guess is that digital readers will soon become common, perhaps even the usual way we read books (NYTimes)

Wow, that’s going mainstream. Krugman points out that as content goes digital, the easier it is to pirate and the harder it is to monetize. Unfortunately, his op-ed ends with a bleak outlook for the future of the written word.

I don’t think it has to be that way. If creative souls (like myself) are going to try to make a living with out art (literary, audio, visual, or video), we are going to have to find a way be proactive, reaching out to find new fans, and doing our best to retain the ones we already have.

While we may be on the cusp of the end of the publishing house, but that is not necessarily a bad thing. As the old industry dies, it is up to artist to create their own co-ops for sharing their wisdom with new artists, and helping their fans find those artists as well.

It is easy to get myopic and think only about our own careers, but we have to remember: A high tide raises all ships. Artists need to link to each other, and carry each others merchandise around with them on consignment. This will help each artist expose their works to more people, and help cultivate a vibrant community of fans that will support the artists.

This might be utopian of me, but if it is, that would be the first time I have ever been accused of that. So here’s to a future where the artist controls their own fate!

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