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What Improvement Could a Dune Remake Bring?

February 10, 2010 in Books, Movies by Brian Logee

I love the Dune series, read the books and yes even own the David Lynch movie that has some loose references to the books.  I even share with many the desire to “erase the image that David Lynch did.”  That is what Frank Herbert’s Dune What Improvement Could a Dune Remake Bring? a 2002 mini-series remake did.

dune frank herbert What Improvement Could a Dune Remake Bring?What benefit could a Dune remake bring to make it worth doing another one so soon?

“I’d love it to be 3D, of course. It’s the kind of movie that has the scope to be 3D. Will they do it in 3D? I’d push for that, but I don’t know. As a viewer, I’ve just been watching Avatar with my kids twice in the theater already and had a blast. It’s an amazing experience.”

We would all love to experience Shai-Hulud in all it’s greatness.  If 3-D is all that can be brought to the project please don’t waste our time.  A visual ride without all of the depth that dune brings would be as empty as pouring our water out on the sands.

There are so many other books that could enjoy a good remake or to be made into a movie and some that would serve far better for a hyper visual trippy 3-D experience.  Take for instance many of Piers Anthony’s works.

(via SCI FI Wire)

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by Eric

Speculative Fiction: The Lost Art of “What if?”

February 9, 2009 in Fandom, Philosophy, Speculative Fiction by Eric

I feel alone lately as a fan of Speculative Fiction.  Many of the people I talk to have never heard of it, and others have had a hard time wrapping their head around the concept, so I have decided to talk about the lost art of speculative fiction.

Art of the Imagination

Speculative Fiction (SF) is the art of the imagination.  Any story, video, image, or song that answers the question, “What if?” is SF.   There are five main subgenres of SF:

  • Science Fiction
  • Scifi
  • Fantasy
  • Horror
  • Alternative History

I meet a lot of people who lack an imagination.  Most are not fans of SF, but what frightens me more than anything is the number of writers/would-be writers who don’t have an imagination.

Many people believe that SF is easy to write, when nothing could be father from reality.  Great SF requires more imagination and work than any other genre of fiction.  Not only does the writer have to create a good story, but they also have to construct a new world that is internally consistent and filled with an immaculate reality that will engage the reader/viewer/listener in the setting and story.

The problem with the industry is that too many writers with little to no imagination have found employment making SF because their work is commercially viable to the mass market and lacks any of the qualities great or even good works should have.  They too often forget the one thing that SF should do:

Transcend Limits

Stellar Spire in the Eagle NebulaThe last time SF was popular in the mass market, a spirit of activism, adventure, and dream pervaded the works.  Not all of them, but enough for the the majority of SF fans to be satisfied with many of the films and series launched.  Since then, post-modern fiction styles have dominated print, television and movies, as a result the recent SF works have lacked any depth.

Pioneering SF writers/creators like Frank Herbert, Gene Roddenberry, Harlan Ellison, David Gerrold, et al, believed that SF could challenge peoples preconceptions and inspire them to transcend the limits imposed upon them by their upbringing and culture. They wrote and produced SF that attacked our sacred cows, presenting the world as it could/should be with all of the ambiguity and possibility that this world offers us.

This is the SF I love, produce and support. The trite cynicism that has again become en vogue is antithetical to this spirit of transformative fiction that inspired so many to fall in love with science and hope for a better world. It does not have to go this way. We must reclaim the spirit and art that made SF great.

The Search for Meaning

The root of the problem is simple:

  • We hope for a meaning and purpose for our lives and when we find that nature does not provide us with an easy answer we can slavishly follow after, we assume life is devoid of meaning and purpose all together. Nihilism is an easy trap to fall into, but is also an easy one to escape.

Sure, life has no grand overriding purpose… or does it? Life seems to exist to survive, thrive, and evolve. With the exception of evolution, these are not very inspiring goals, but the urge to better ourselves and grow throughout our life is a fundamental function, if not purpose of existence.

This is no reason to despair. The fact that life does not impose a purpose on us allows us to find or invent one for ourselves. What a liberating gift from the universe! We are free to choose our purpose and to find meaning for ourselves.

Now, I won’t lie to you. This is a burden to bare, there is no doubt about that, but it is a burden that is easy for us to take up, if we choose to live boldly.

For too long, we have lived our lives under the constraints and limitations placed upon us by society. We have to rise above the nihilistic stupor, and make the world we want to live in.

Let’s All Dream Again

We have to rise up, stand up, speak out, and most of all dream. If we do not, then the future is indeed lost, but not because of destiny, but because we have let it follow that path.

Dream again, and dream big. Find something to be for, not something to be against. We are strong and imaginative enough to rise above any darkness that comes upon us. Rise up! Let’s take our future back!

This post was inspired by The Lost Art of Speculative Fiction, which I originally posted on March 14, 2008.

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P:SI #220 "Shelfari, Food of the Amazon"

August 26, 2008 in Project: Shadow Informant Show Notes by Brian Logee

p si logo 150 white thumb17 P:SI #220 "Shelfari, Food of the Amazon"

Shelfari | Travis Louie Art | Paul Stanley Art | Mona Leia Smile | Online Horror Fest | Frank Herbert | Watchmen Magazine Cover | Babylon A.D. & Fox | Naked Gun 2 & 1/2 | More Riddick | Torchwod | Anime Wolverine & Iron Man | Streaming Star Trek | and Rock Band Rush Today on the Project: Shadow Informant.

Culture

Movie

  • Get your copy of Dune on DVD hereWatchmen SET Magazine Covers (via Filmonic)
  • Babylon A.D. Director Dosen’t Like His Own Movie Or Fox (via Filmonic)
  • Naked Gun 2 & 1/2: The Smell of Fear (via Hulu)
  • Diesel: More Riddick In Store (via Sci Fi Wire)

TV / Series

  • Plans for new Torchwood revealed (via BBC)
  • Wolverine and Iron Man Anime Series Forthcoming (via dashPunk)
  • How to: Stream Star Trek: TOS (via dashPunk)

Game

  • Rock Band DLC – These Pictures Keep Moving! (via Gay Gamer)

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by Eric

Constraints, Genre and Fiction in a Box

July 25, 2008 in Writing by Eric

This entry is part 9 of 13 in the series Writing

The most powerful tool a writer has in their box is the use of constraints, Genre, and placing limitations on themselves. Despite the way it might sound, limitation is the fertilizer of creativity.

Limitations

  1. …prevent the writer from going wild and over cluttering a story or setting. Imagine if limitations had been placed on the X-Files to keep the writers from crafting the often contradictory stories that made it to air.
  2. …focus the writer so we have to develop and flesh out those things that we are allowed to have in the setting. This brings depth and clarity to the story.
  3. …give the story a sense of reality. We are used to living with our limitations, and as the reader discovers the ones in our stories they come to understand what is and is not possible in the story.
  4. …force creative implementations of the ideas we have allowed into the story. The only magic available in Avatar: The Last Airbender is element bending, so the writers integrated bending into every aspect of the setting and came up with creative uses of bending that are not obvious.
  5. …help the writer plot the story. When writing Speculative Fiction, it is easy to get lost in the possible ways to accomplish every task in the tale. Limits clear the brush and make the way more apparent.

Limitations only work if they are carefully and deliberately chosen. If chosen carefully, they can even be a powerful way to find new stories to write.

Genre

Genre is the first limitation to pick. I know everyone says that, but no one explains why.

Your choice of Genre will immediately define you type of setting and the type of stories that can exist in that world. Do not pick an open Genre, drill down and find the one that fits what you are wanting to write in.

Take “Dune by Frank Herbert. There are many genres that books could have been written in, each would have changed the story immensely. It is the genre that makes that book what it is.

  • Speculative Fiction
    • Science Fiction
      • Soft Science Fiction
        • Space Opera
          • Galactic Empire
            • Planetary Romance

The entire setting and the majority of the plot is dictated by this choice of genre. Imagine how the story would have changed if instead of a Planetary Romance, he had chosen to do a Technofantasy, or if he had chosen to made the story Hard Science Fiction, limiting it to known physics. The entire story would change.

How do you find these subgenres? Wikipedia has a good number of them listed. I use the Encyclopedia of Science Fiction and the Encyclopedia of Fantasy, neither of which are still in print, but if you can get your hands on one, I would highly recommend them.

Take time and carefully pick yours before you move on.

Constraints

Once you have chosen your Genre, list the constraints that it gives you.

Now add your own. Do aliens exist? What about Ghosts? Answer the questions that make sense for the type of story you are wanting to write. Be deliberate and keep your list of exclusions near you as you write.

Fiction in a Box

After you have built your box, figure out how to exploit it. Like Neo in the Matrix, you have to learn that the rules can be bent but not broken.

  • What cultures would develop under those rules?
  • How do those rules effect the characters life, profession, and the tools they have at their disposal?
  • How do the rules change the technology the characters use?
  • What impossible thing do the characters long to do?
  • How can I use that impossible thing in the setting?

In Harry Potter, magic can do anything but bring back the dead. That impossibility effects Voldemort, Dumbledor, and Harry.

In Dune, it is impossible to see the future, truth, or to even travel through space without the spice. Those limits and the characters fears and hopes related to them drive the story.

After you have established all of your limitations, you need to come up with a story that would be unexpected in that setting.

  • Harry Potter is set in a traditional fantasy setting where they are struggling to defeat a Dark Lord, but the books themselves are written as mysteries rather than quests.
  • Dune tells the story of a coming messiah, but the story is about the psychology of a boy turned man who grapples with his visions of the future trying to stop them from happening.
  • “Brave Men Run – A Novel of the Sovereign Era” by Matthew Wayne Selznick is a Superhero story that follows the relationship between a boy and his family.
  • Liquid Sky is a story about a boy trying to defy fate, but it is told from the point of view of a coming of age story.
  • “Shine Like Thunder” is a dark space opera about characters trying to survive after they are marooned on a demon filled world, but it is told as a romance/mystery.

When you establish a convention, the reader will feel comfortable in the setting. When you tell the story in a unique way, you are able to surprise the reader without making them feel the story betrayed its premise.

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by Eric

The Lost Art of Speculative Fiction

March 14, 2008 in Mythology, Philosophy, Speculative Fiction, Writing by Eric

fiction thumb The Lost Art of Speculative FictionWhen I was first getting into Speculative Fiction, it had a spirit of activism, adventure, and dream to it that so much modern fiction simply lacks. Pioneers in this field, Frank Herbert, Gene Roddenberry, Harlan Ellison, David Gerrold, et al, believed that SF could challenge peoples preconceptions and inspire them to transcend the limits imposed upon them by their upbringing and culture. They wrote and produced SF that attacked our sacred cows, presenting the world as it could/should be with all of the ambiguity and possibility that this world offers us.

This is the SF I fell in love with and endeavor produce and support. The trite cynicism that has again become en vogue is antithetical to this spirit of transformative fiction that inspired so many to fall in love with science and hope for a better world. It does not have to go this way. We must reclaim the spirit and art that made SF great.

The root of the problem is the basic existential quandary we each experience in our time. We hope for a meaning and purpose for our lives and when we find that nature does not provide us with an easy answer we can slavishly follow after, we assume life is devoid of meaning and purpose all together. Nihilism is an easy trap to fall into, but is also an easy one to escape.

Sure, life has no grand overriding purpose… or does it? Life seems to exist to survive, thrive, and evolve. With the exception of evolution, these are not very inspiring goals, but the urge to better ourselves and grow throughout our life is a fundamental function, if not purpose of existence.

This is no reason to despair. The fact that life does not impose a purpose on us allows us to find or invent one for ourselves. What a liberating gift from the universe! We are free to choose our purpose and to find meaning for ourselves.

Now, I won’t lie to you. This is a burden to bare, there is no doubt about that, but it is a burden that is easy for us to take up, if we choose to live boldly.

For too long, I have lived my life under the constraints and limitations placed upon me by society. I allowed myself to fall under this nihilistic stupor, but I have had enough.

This is why I am not a fan of Battlestar Galactica or Heroes. They have followed this cynical path into a nihilism I find neither sophisticated nor mature. It is solipsistic and puerile. Yes, life can be dark, but no one benefits from wallowing in that darkness.

When I was growing up, I became an avid fan of Goth Rock, Deathrock, Punk, and Metal. At their bests, these genres are about rising up and railing against these cynical worldview foisted upon us. “Only Theatre of Pain” (Christian Death) is the music of defiance, not acquiescence. Black Sabbath sang in anger at the darkness of life. At their best, these are songs about standing up and not about being trodden under foot.

We have to rise up, stand up, speak out, and most of all dream. If we do not, then the future is indeed lost, but not because of destiny, but because we have let it follow that path.

Dream again, and dream big. Find something to be for, not something to be against. We are strong and imaginative enough to rise above any darkness that comes upon us. Rise up! Let’s take our future back!

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